[BROOKLYN, TX]
Country Sky,
Acrylic and polymer transfer on canvas,
68 x 40 inches,
Hell's Kitchen, NY Studio, (2010).
Legacy,
Acrylic and polymer transfer on paper with frames,
32 x 20 inches,
Hell's Kitchen, NY Studio, (2010).
Just a Little Bit of History Repeating,
Acrylic on canvas with frame,
60 x 40 inches,
Hell's Kitchen, NY Studio, (2010).
Craphole,
Acrylic and polymer transfer on canvas,
108 x 70 inches,
Hell's Kitchen, NY Studio, (2008).
Rare Orchid,
Acrylic and on canvas,
40 x 40 inches,
Hell's Kitchen, NY Studio, (2010).
But this is for the Fist of the Ape, for the lights of electric New York white-waying into the room you thought was safe, could never be penetrated ... for the coarse black hair, the tendons of need, of tragic love....
"Yeah well," as film critic Mitchell Prettyplace puts it in his definitive 18-volume study of King Kong, "you know, he did love her, folks."
- Thomas Pynchon,
Gravity's Rainbow, (1973).
Fist of the Ape,
Acrylic and polymer transfer on canvas,
96 x 80 inches,
Hell's Kitchen, NY Studio, (2008).
Staccato Pony,
Acrylic on canvas,
52 x 40 inches,
Hell's Kitchen, NY Studio, (2010).
Display,
Acrylic and polymer transfer on canvas,
40 x 40 inches,
Hell's Kitchen, NY Studio, (2010).
Damsels in Distress
(Ladies of Perry Mason),
Oil, acrylic, and polymer transfer on canvas,
72 x 50 inches,
Hell's Kitchen, NY Studio, (2008).
Work pre-2000.
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